Ennis House


[…] Photo series such as Ennis House (2012) and Untitled (Plaza de las Tres Culturas) (2012) also revolve around the perception of architecture. They are »subjective portraits of architecture« that connote motion rather than a fixed point of view. By employing the in-camera method of analogue multiple exposure in which several pictures are collaged into one image, Oppl condenses varying perspectives into bundles of intersecting architecture and space sequences. The photographs look like memory diagrams in which sequential perspectives are collected in a similar way as when moving across a square or around a building. They somewhat symbolise our memory in which sequences of images and time manifest themselves in complex networks and intersections. Both in the photographs and in the mind's memory traces the results include portions that are random, uncontrollable and subjective. Ennis House is a portrait of the house in Los Angeles with the same name designed by American architect Frank Lloyd Wright in 1923. It combines the style of Maya temples, which served as an inspiration for its design, with modern concrete casting. In its numerous appropriations by the media and use as a set for films such as Blade Runner or Mulholland Drive the house itself stands for the moment of superposition. […]

Jürgen Tabor