Shrinking City

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[…] The three-series photo work Shrinking City (2013), for example, explores the perception of spaces exemplified by the architecture of large cities in which Oppl yet again works with a model and integrates cinematic references. The starting point of Shrinking City is an elaborately built wax model in the style of Chinese cities. The close-up of the lens makes the skyscrapers appear monumental while at the same time their fragile, organic materiality is evocative of the subjective almost physical architecture of expressionist film sets such as Fritz Lang's Metropolis (1927) in which urban architecture expresses society's dysfunctional psyche and modern age's overwhelming trust in technology turns against mankind in the form of a Babylonian city that has assumed colossal proportions. In this photo series, heat gradually causes the skyscrapers to sway; the entire city collapses and dissolves. Oppl depicts a dystopia in which architecture is fragile, organic and body-like while also referring to economic failure. […]

Jürgen Tabor